A) an outline.
B) a still life.
C) a retrospective.
D) a composition.
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A) yin and yang.
B) her love of Mao's Cultural Revolution and her need to paint.
C) carefully drawn structural lines and uncontrolled drip lines
D) All of the above.
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A) stained glass.
B) color.
C) gender associations with line.
D) lines of sight.
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A) indiscriminate
B) controlled
C) naturalistic
D) all of the above
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A) Gaudier-Brzeska's Female Nude Back View
B) Van Gogh's The Starry Night
C) David's Study for the Death of Socrates
D) a & b
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A) continuous line.
B) contour lines.
C) implied lines.
D) construction lines.
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A) complex metaphors and dynamic lines
B) simple black outlines and ironic messages
C) kinetic forms and gestural brushstrokes
D) political activism and romantic imagery
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A) oil paint
B) bronze
C) clay
D) natural materials found on-site
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A) create value by hatching and cross-hatching
B) be expressive of emotion or an idea
C) create color fields
D) give weight to a drawing
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A) autographic.
B) calligraphic.
C) static.
D) generic.
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A) personal
B) romantic
C) analytic
D) soft contour
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A) unique expressive lines
B) similar implied lines
C) classical lines
D) lines of sight
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A) the role of religion in art
B) the use of classical models in modern photography
C) the belief that line is the most important element in art
D) the traditional representation of the female nude
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A) devices to help the viewer understand the realistic nature of the image.
B) ways to make the composition more simplistic.
C) artistic choices meant to engage the imagination of the viewer.
D) ways to familiarize the viewer with the form.
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A) it doesn't,it's purely coincidental
B) it refers to the passion of the moment
C) it reiterates the rationality of Socrates' actions
D) it is merely a compositional consideration
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A) expressive line.
B) analytical line.
C) classical line.
D) contour line.
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